Mic Pre Amps

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  • 12Mic

    Rated 0 out of 5
    219,770 (259,329 Inc. GST @ 18%)

    12-channel digitally controlled microphone preamplifier with AVB & MADI

    The RME 12Mic is a twelve channel remote controllable microphone preamplifier with no-compromise A/D conversion, integrated AVB and MADI connectivity, and a multitude of features designed to make it a perfect companion for any professional recording.

    No Cost EMI starts at ₹21,611/month
    SKU: 12MICAdd to cart
  • DMC-842

    Rated 0 out of 5
    292,230 (344,831 Inc. GST @ 18%)

    The DMC-842 is both an 8-Channels AES42 interface as well as a controller for digital microphones. The unique device allows for connection and control of up to 8 digital microphones, and converting their signals to ADAT, AES/EBU, analog and (optional) MADI. Eight individually switchable hi-end sample rate converters offer a flexible clocking and further usage options, especially as the inputs are compatible to AES3 and AES/EBU too.

    No Cost EMI starts at ₹28,736/month
    SKU: DMC842Add to cart
  • M-1610 Pro

    Rated 0 out of 5
    228,450 (269,571 Inc. GST @ 18%)

    16 channel A/D, 8 channel D/A converter with ADAT, AVB, MADI and separate phones out

    The RME M-1610 Pro combines 16 analog inputs with 8 balanced analog line level outputs, independent stereo headphones, redundant AVB ports, up to two independent MADI ports, ADAT outputs, remote control with web interface and dual internal power supplies – to deliver M-32 Pro performance at an attractive price point.

    No Cost EMI starts at ₹22,464/month
    SKU: M1610PROPre-Order Now
  • Micstasy

    Rated 0 out of 5
    312,130 (368,313 Inc. GST @ 18%)

    Micstasy is an 8-Channel hi-end mic/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic/Line In to Line Out) and digital (Mic/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight: the device is fully remote-controllable via MIDI (also MIDI over MADI).

    No Cost EMI starts at ₹30,693/month
    SKU: MIC1Add to cart
  • Octamic II

    Rated 0 out of 5
    Call for price

    The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology. Lowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.

    SKU: Octamic IIKnow More
  • Octamic XTC – Discontinued

    Rated 0 out of 5
    Discontinued

    RME proudly presents a new generation of top-class microphone, line and instrument preamp, hi-end A/D converter, digital patchbay and format converter, monitoring device, and last but not least the flexible frontend for Apple’s iPad® – the OctaMic XTC! With the OctaMic XTC eight microphone and line inputs, four switchable to Hi-Z mode, meet an unrivaled variety of digital connection protocols – from common ADAT and AES/EBU to sophisticated 64-channel MADI optical.

    SKU: Octamic XTC - DiscontinuedKnow More
  • QuadMic II

    Rated 0 out of 5
    53,070 (62,623 Inc. GST @ 18%)

    The QuadMic II complements any RME system with line inputs by adding external microphone inputs. Since the unit runs on supply voltages from 9 to 18V DC, it can operate on virtually any power source available, including batteries and rechargeable batteries.

    No Cost EMI starts at ₹5,219/month
    SKU: QUAD IIAdd to cart
  • Pro Tools | MTRX

    Rated 0 out of 5
    Call for price

    Looking for the purest, most detailed sound quality and expansive routing and monitor control possible in your sessions? You just found it. The versatile new Pro Tools | MTRX audio interface is coming soon for Pro Tools | HDX and HD Native. Get the superior sonic quality of DAD’s legendary AD and DA converters—plus incredibly flexible monitoring, I/O, and routing capabilities—all in a powerful unit that integrates seamlessly with Pro Tools | S6 and S3.